下面我們再舉幾個例子:◎

　　例 2. Modern scientific and technical books, especially textbooks, requires revision at short ◎intervals if their authors wish to keep pace with new ideas, observations and discoveries.

　　對于現(xiàn)代書籍, 特別是教科書來說, 要是作者希望自己書中的內(nèi)容能與新概念、新觀察到的事實和新發(fā)現(xiàn)同步發(fā)展的話, 那么就應(yīng)該每隔較短的時間, 將書中的內(nèi)容重新修改。

　　例 3. Taking his cue from Ibsen`s A Doll`s House, in which the heroine, Nora, leaves home becauseshe resents her husband`s treating her like a child, the writer Lu Xun warned that Nora would needmoney to support herself; she must have economic rights to survive.

　　易卜生的劇作《玩偶之家》中的女主人公娜拉離家出走, 因為她憎惡她的丈夫像對待孩子一樣來對待她。作家魯迅從中得到啟示, 從而告誡人們娜拉得需要錢來養(yǎng)活自己, 她要生存就必須有經(jīng)濟上的權(quán)利。

　　例 4. Up to the present time, throughout the eighteenth and nineteenth centuries, this new ◎tendency placed the home in the immediate suburbs, but concentrated manufacturing activity, business relations, government, and pleasure in the centers of the cities.

　　到目前為止, 經(jīng)歷了 18 和 19 兩個世紀(jì), 這種新的傾向是把住宅安排在城市的近郊, 而把生產(chǎn)活動、商業(yè)往來、政府部門以及娛樂場所都集中在城市的中心地區(qū)。