2018年翻譯資格考試初級(jí)筆譯模擬題：定制服裝

　　英譯漢

　　A little bit of background is needed to understand what contrasting Italian brands set one another. We start with French couture. The Italian fashion newcomers somehow took their inspiration from it, or just defied it, and finally transformed it into a new look.

　　French haute couture excelled in its extravagance and formality, but it often came with discomfort. While it reined supreme in elegance, it was by no means youthful, let alone sexy. The apparel-making and fitting process was both money and time consuming so that only idle, rich women could afford it.

　　However, by the mid-1970s, the influence of the French couturiers was waning. Italian couture and ready-to-wear filled the vacuum, catering to a new generation of independent professional women. New designers such as Giorgio Armani and Gianni Versace budded and eventually gathered the global spotlight.

　　參考譯文

　　在了解這些意大利品牌之間的差異之前，有必要先提一下法國(guó)高級(jí)定制。意大利定制時(shí)裝和成衣與法國(guó)高定不可割舍，它們有的從法國(guó)”前輩們”那里汲取了靈感，有的則干脆背道而馳，最后終于連法國(guó)高定一起華麗蛻變。

　　法國(guó)定制時(shí)裝在奢華與正式上達(dá)到了極致，但缺點(diǎn)也顯而易見(jiàn)——毫無(wú)舒適感可言。誠(chéng)然，論優(yōu)雅法國(guó)高定無(wú)可比擬，但是看上去毫無(wú)朝氣，至于性感，就更談不上了。此外，制衣和試穿過(guò)程都相當(dāng)繁瑣，需要投入大量的財(cái)力與時(shí)間，所以只有那些有錢(qián)有閑的貴婦才能穿得起。

　　但是到了上世紀(jì)70年代中期，古老的法國(guó)高定便不可避免地衰弱了。意大利定制與成衣成長(zhǎng)起來(lái)，填補(bǔ)了這一空白，適應(yīng)了一個(gè)新興顧客群體的需求——獨(dú)立的職業(yè)女性。這也是意大利本土新興設(shè)計(jì)師崛起的時(shí)代，比如喬治•阿瑪尼和詹尼•范思哲，在以后的日子里，正是這些人讓意大利時(shí)尚界受到了全球矚目。

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